30,724 Free Images of American Frontier

smithsonian american art museum the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper james otto lewis ojibwa people oil on canvas ho-chunk potawatomi (people)new britain museum of american art

American Permian vertebrates (c1911) (17973805159), 1825

american permian vertebrates (1911)varanops fossils

Key to North American birds. Containing a concise account of every species of living and fossil bird at present known from the continent north of the Mexican and United States boundary, inclusive of (14770387353), 1896

key to north american birds (1896)

Mary Rogers Gregory, Mary Rogers Gregory, 1897

american women (1897)mary rogers gregory

Key to North American birds. Containing a concise account of every species of living and fossil bird at present known from the continent north of the Mexican and United States boundary, inclusive of (14564001729), 1890

key to north american birds (coues)

The Archers, Bryson Burroughs, 1917

bryson burroughs oil on canvas

Guide Hiding a Canoe Under a Windfall, Winslow Homer, 1897

watercolor paintings by winslow homer realism

Alexander Mackenzie, Thomas Lawrence, 1800

alexander mackenzie (explorer)romanticism

"Life in Philadelphia", Edward Williams Clay, Published May 1829.

female fashion in the 1820s 1829 cartoons

Boulevard Market, Paris, Jerome Myers, 1919

paintings in the new britain museum of american art ashcan school

34th Ohio Infantry surprise Confederate soldiers in Logan County, Virginia, 18 January 1862

west virginia in the american civil war harper's weekly, 1862

Thomas Nast illustration of Abraham Lincoln welcoming Confederates to Christmas dinner, Christmas 1864

christmas in washington, d.c.american civil war art

The Brownies' Book, June 1921 cover

the brownies' book dyk images

Rufus Anderson, engraving by J. C. Buttre, John Chester Buttre, before 1880

1880 engravings rufus anderson

Ease, William Harnett, 1886

google art project works in amon carter museum of american art william michael harnett

St. Nicholas (serial) (1921) (14598299947), Henry Mosler, 1921

pont-aven school henry mosler

The sack of the Blair Mansion - Rebels carousing near the garden vase ("near Washington") LCCN99614067, Frank Leslie, 1864

frank leslie's illustrated newspaper, 1864 montgomery blair

Helena Modjeska as "Juliet", Timothy Cole, 1889

romeo and juliet in art juliet

The Barefooted Child, Mary Cassatt, between 1894 and 1898

american art in the brooklyn museum impressionism

Walter Shirlaw - The Goose Girl. Engraved by W. B. Closson, Walter Shirlaw, 1889

american art and american art collections; essays on artistic subjects (1889)works by walter shirlaw

Teatime, Edward Lamson Henry, between 1861 and 1919

paintings in the new britain museum of american art paintings by edward lamson henry

Country Breakfast, Edward Lamson Henry, 1884

paintings in the new britain museum of american art paintings by edward lamson henry

Walter Shirlaw - The toning of the bell, Walter Shirlaw, 1889

american art and american art collections; essays on artistic subjects (1889)works by walter shirlaw

Study of Arms and Figure - A Sketch, Homer Dodge Martin, between 1856 and 1897

paintings in the new britain museum of american art paintings by homer dodge martin

American art and American art collections; essays on artistic subjects (1889) (14596256390), 1889

american art and american art collections; essays on artistic subjects (1889)illustrations by frank thayer merrill

King Cophetua and the Beggar Maid, Albert Pinkham Ryder, 1907

paintings by albert pinkham ryder in the smithsonian american art museum romanticism,symbolism

Portrait of Artist Beck Wenzell, Albert Beck Wenzell, circa 1900

portrait paintings in the new britain museum of american art portrait paintings by william merritt chase

My Bunkie, Charles Schreyvogel, finished 1899

american paintings in the metropolitan museum of art charles schreyvogel

Wildflowers, Ellen Robbins, 1875

department of american paintings and sculpture, metropolitan museum of art ellen robbins

Hopi-Tewa jar made by Nampeyo (1862-1942), early 1900s, Heard Museum, Nampeyo

native american objects in the heard museum hopi pottery

Theodosia Burr Alston, engraving by H. Wright Smith

museum of american finance theodosia burr alston

Eliphalet Frazer Andrews sketch, Eliphalet Frazer Andrews, 1900

eliphalet frazer andrews 1915 deaths

Portrait of Isaiah Thomas Sr., Ethan Allen Greenwood, 1818

ethan allen greenwood oil on panel

Jungfrau (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 1870

"splendid mountain watercolours" sketchbook (50.130.146) by john singer sargent impressionism

Birds' eye view of the camp of the 67th Reg't P.V. Annapolis, Md.: on the ground occupied by the troops of Washington & Lafayette, Louis N. Rosenthal, 1863

maps in the library of congress 1863 maps

Russian Tea, Irving Ramsey Wiles, circa 1896

paintings by irving ramsey wiles tea drinking in painting

Untitled (Unfinished Sketch), Mary Vaux Walcott, between 1860 and 1940

paintings by mary vaux walcott in the smithsonian american art museum cypripedium acaule - botanical illustrations

Breakfast for Three, Charles Courtney Curran, 1909

paintings by charles courtney curran impressionism

ITALIANAMERICAN

Feeling the Enemy, Winslow Homer, 1887 – 1888

drawings by winslow homer realism

Portrait of Charles Jones, Ethan Allen Greenwood, 1815

portrait paintings in the addison gallery of american art ethan allen greenwood

The Voice of the Great Spirit, Joseph Henry Sharp, 1906

paintings by joseph henry sharp in the smithsonian american art museum paintings of native americans by joseph henry sharp

SS St. Louis

spanish–american war ships st. louis (ship, 1895)

Wreck of the U.S.M. steam ship "Arctic" (one-third-size), James E. Buttersworth, 1854

james e. buttersworth arctic (ship, 1850)

"Trying on the Slipper," from Cinderella, Sarah Noble Ives, circa 1912

mcloughlin brothers publications sarah noble ives

Sketches with Co. B, 8th Reg. Pa. Ma. under the officers of the old Southwark Gaurd (sic) in Harrisburg, Pa. - J. Queen del. LCCN2016648740, James Fuller Queen, 1862

drawings (documentary) collection in the library of congress james fuller queen

Kennesaw bombardment, Alfred Waud, 1864 [June 27]

1864 drawings in the united states battle of kennesaw mountain

Figure in a Room, Frank Weston Benson

paintings by frank weston benson impressionism

Capture of H.B.M Frigate Macedonian by U.S. Frigate United States, October 25, 1812, Thomas Chambers, 1852

marine paintings in the smithsonian american art museum uss united states (ship, 1797)

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

George Catlin, William Fisk, 1849

portrait paintings in the smithsonian american art museum portrait of george catlin by william fisk

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

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